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by Walter Borchenko
Phase One’s Sensor+ technology is an industry breakthrough. Sensor+ solves a problem that has been eluding researchers for over 30 years. Many industry researchers have been addressing the problem, spending hundreds of millions of dollars in the search for a solution.
Sensor+ is pixel scaling (or binning) in color. Although this sounds simple enough, until
now, success has been achieved only in black and white. Video cameras, capable of
night capture, typically use pixel scaling to produce tinted monochrome video.
Phase One has implemented Sensor+ in the P 65+ digital back. The P 65+ is the first
true full frame 645 format back that captures full frame 60.5 megapixels. Simply by
selecting Sensor+ mode, the P 65+ supplies full frame 15 megapixel color captures at up
to 3200 ISO. In addition there are a number of surprising benefits for photographers.
The battle between quality and performance is always difficult to balance. Many times,
capture speed or high ISO are so important that quality is compromised with the anti
aliasing filters of DSLR’s. Now, high quality and performance are available by just
pressing a button on the P 65+ to invoke Sensor+ mode. It’s fast, easy and puts both
quality and performance at one’s fingertips, in one digital back product.
The Sensor+ mode on the P 65+ provides five key benefits for photographers:
The Sensor+ higher ISO ratings deliver exceptional image quality comparable to results
from DSLR’s offering similar ISO with two major differences. Unlike DSLR’s, Phase One
backs do not use anti-aliasing filters and they use larger format sensors compared to
DSLR’s, taking advantage of medium format optical quality.
Sensor+ combines the data from 4 pixels into one piece of data. An original 60.5
megapixel capture produces a 60 MB file in IIQ large and a 40 MB file in IIQ small. With
Sensor+ enabled, the capture is now full frame 15 megapixels and the file size is 15 MB
in IIQ large and 10 MB in IIQ small. The IIQ capture format is Phase One’s patented
compression format for RAW files.
For many applications in which a larger capture size/higher resolution is not important,
the smaller file size is a real benefit, especially since the image quality is being retained.
Everyone needs as many advantages as possible to get the shot.
Shooting speed is a real advantage that combined with the P 65+’s higher image quality,
really boosts performance. In contrast with a top level DSLR like the Canon 1Ds MKIII,
the P 65+ with Sensor+ enabled can shoot approximately 86 frames in one minute. The
Canon produces approximately 60 frames in one minute.
These tests were done with the P 65+ mounted on the mechanical Hasselblad V series
555 ELD, which attains 1.4 frames per second. With the Phase One camera, speed is
slightly lower at 1.20 frames per second, which translates to 72 frames per minute. At
first this comparison might seem odd and unbelievable but here is how it works.
The Canon shoots a rapid burst; then it stops until the buffer is dumped. After a few
more shots, then the buffer is dumped again and the timing is inconsistent. When
shooting fast moving subjects such as in fashion photography, it’s impossible to time the
shots after the initial DSLR burst. Shooting is totally hit and miss.
The Phase One back keeps shooting at a consistent speed and will keep going until the
CF card or computer is full (if tethered). It’s much easier to shoot and keep shooting with
the consistent captures. Timing is made easier and sequences actually look right and
are timed equally.
The moiré advantage in Sensor+ is a little more difficult to explain. First, it’s important to
keep in mind that the larger the pixel, the more moiré occurs. The pixel size on the P 65+
sensor is 6x6 microns. Sensor+ creates a 12x12 micron data set by combining the data
in the sensor using a binning approach. If a comparison is made to a real capture sensor
with 12x12 micron pixels, the Sensor+ pixel is virtually moiré free because the core data
is still captured at 6x6 microns.
A number of DSLR products and competitive digital backs have offered photographers
the option to create smaller files sizes. The penalty with these other solutions has been a
reduction in the capture area. For the photographer, changing the capture size should
not change the capture area. With the live sensor area reduced in these competitive
solutions, lens coverage is no longer the same. This means that camera position must
change and the process has a negative impact on production since everything has to stop.
The brilliant advantage of Sensor+ is that the full sensor area is utilized. No optical
change or production halt is required. One needs only to select Sensor+ mode, adjust
exposure accordingly and continue on with the shoot.
The technology discussed here is called color pixel binning or pixel scaling. The results
in monochrome have been very successful for many years but color has been the
industries real challenge. Phase One has had to overcome two key technical problems
for the Sensor+ technology to work. Solutions up to this point either produced extensive
noise or had a massive reduction in image quality of 1/16th or less, of the original sensor
capability when 4 pixels have been combined.
For this explanation, four pixels are being described. Noise is shown in red and original
sensor data is shown in green. Each pixel is described as having ten electrons (10e
green) and the noise is also ten electrons (10e red).
With the Normal sensor operation, each pixel is dumped from the sensor through an
amplification process that adds noise. When the noise is compared to the capture data,
both are equal, providing a Signal to Noise (SNR) ratio of 1:1. The important thing to
remember is that each final pixel has 10 electrons of noise.
In this example, the data from the four pixels is being averaged together to create one
large pixel. Averaging can reduce the noise in a large pixel by the square root of the
number of samples that have been averaged. In this example, four samples are
averaged, reducing the noise by the square root of four. The result is 2 or 20 electrons of
noise in total. Averaging achieves 40 electrons of signal, providing a Signal to Noise
ration of 2:1 (40 divided by 20).
In normal full resolution sensor operation, each final pixel had only 10 electrons of noise.
The averaging solution creates 20 electrons of noise. Although an accomplishment, this is
not nearly enough noise reduction to create the image quality required for a large pixel.
In this traditional binning example, a sixteen-pixel area is used. The original sixteen
pixels are all labeled to indicate how the four large pixels are created.
When the optical centers of the large pixels are represented as an illustration, the
information seems even. If only the green layer is considered, large holes exist and
some data areas do not even touch.
This creates a lot of problems for image quality. This method of combining four pixels
into one produces a far worse result than expected. Instead of getting 3/4 the resolving
power of the original sensor, 1/16th resolving power or less is achieved.
The Phase One Sensor+ solution to the noise problem was to add the pixels together
inside the image sensor, before the amplification process. Amplification noise is reduced
significantly. This clever solution creates a 4:1 Signal to Noise ratio. Each super pixel
now has 10 electrons of noise, the same as in normal full resolution sensor operation but
with four times the sensitivity and signal level. This means that the super pixel noise
level is now four times lower than the normal full resolution pixel at the same ISO.
To overcome the image quality issues, the Sensor+ technology organizes the pixel data
in a completely unique way to create the super pixel. The unique sampling pattern is the
first step in Sensor+ technology.
In the second step of Sensor+ technology, the data from the green pixels is changed in
orientation so that each super pixel includes data in a much more even pattern. This
method enhances image quality significantly as demonstrated in the following examples.
Sensor+ represents a photo industry technology milestone. The benefit to photographers
is full frame 60.5 megapixel captures and, at the touch of a button, 15 megapixel full
frame captures with four times higher sensitivity of up to 3200 ISO and a faster capture
rate of up to 1.4 frames per second. In addition, Sensor+ captures have less moiré than
larger pixel sensors and produce a smaller file size. The real benefit is the versatility to
shoot high ISO at high quality and shoot at regular ISO’s with 60.5 megapixels, in the
same product.
The P 65+ with Sensor+ technology further enhances Phase One’s modular, open
approach to medium format photography. Choose the best tools for the job, whether it
be utilizing full tilts and shifts on a view camera or the extreme wide angle capabilities of
the architectural technical cameras. Sensor+ adds significantly to one of the most
versatile digital capture solutions available for photographers.
Walter Borchenko is a photographer based in Toronto Canada and is also the developer
of the independent educational website. Check out the online courses at our capture-u page. This site includes both
subscription and free public materials with registration. The content is dedicated to
Phase One’s Capture One software and the focuses on capture over post-production for
the creation of final images.
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